White Hart Lane, December 2016. Nearly 10 years ago, with Spurs preparing to temporarily leave home and promises of a brighter future.

Football culture is not consumed passively. It is lived physically and socially through repetition and participation.

Leeds-based artist Marcus Marritt distils Britain’s most iconic football grounds into a refined minimalist print series defined by clean composition, architecture, light and shadow.

Ten years on from West Ham United’s final night at the Boleyn Ground, Simon Peter Green’s striking black and white photography revisits the raw emotion, atmosphere and identity of an unforgettable farewell. From the streets around Upton Park to the drama under the lights, these images capture the soul of a stadium and a support saying goodbye to home.

As the modern game continues to grow bigger, louder and more expensive, more supporters are heading in the opposite direction. Across England’s lower leagues, crowds are rising again – drawn not by spectacle, but by football that still feels local, physical and part of everyday life.

Football culture has always responded more strongly to honesty than polish.